Thursday, February 28, 2019

LSSL 5385 Textbook Reflection 11 thru 17

Chapter 11:  Realistic Fiction:
Summary:
Realistic fiction are sometimes called contemporary realistic fiction or modern realistic fiction.  Books that are considered Realistic Fiction have to tell the story in modern time and the story needs to be realistic.  The language used within a story needs to reflect the specific age group of the characters in the story. In addition, the story must be believable in that the attitudes, the clothes, the style, the places, restaurants, and venues must modern and available in today’s society .  The reader should be able to make a connection with the world. The topic of the books are issues that readers can relate to. Some topics include that of death, sexuality and changing family structure. The theme has got to make its way into the book slowly and consistently. In addition, the chapter provides us with criteria in which we should evaluate realistic fiction for children.
Reflection:
I understand the importance of having literature that can relate to our students.  I am able to determine the attributes of realistic fiction based on the descriptions afforded to me by this chapter.  In addition, I will be able to evaluate realistic fiction using the evaluating criteria.


Chapter 12:  Nonfiction:
Summary:
The chapter on nonfiction provides the reader a brief description explaining that nonfiction is best described by what it is not.  It then goes on to explain the criteria for evaluating nonfiction for children. The first criteria that is discussed is the qualifications of the author.  It explains that the qualifications of the author can be found in different ways. Some of the ways would have to be based on their reputation. It suggests that we can check the authors website, look at the book for notes and to check for the amount of research that was conducted to write the book.  The second criteria was to ask if the facts are accurate. It states that review writers may not be experts, but provide strategies, where even the students can determine whether the information is accurate by comparing multiple books. It suggest to consider resources such as the Children’s Book Council or the National Council of Teachers of Math.  The third criteria is the purpose and scope of the book. It defines the scope as either being broad or narrow and to ask what the books are about. It goes on to state the purpose of books are based on reader age groups. The fourth criteria discusses the organization of the book. Some books have a Table of Contents, where some have an index. Some may have illustrations credits or suggested readings.  The last criteria is the role that visuals play. In this chapter, this includes the illustrations or photographs. The visuals elaborate on the text and helps break down or chunk the reading. The last part of the chapter are good nonfiction questions that we could ask students.

Reflection:
The book is a great guide that will assist in evaluating criteria.  I loved how the chapter suggested a strategy that can be used in the classroom, where the students are able to identify whether the books being read are accurate.  I loved how it provided us with so much detail on what to look for to check if the author was qualified. I also enjoyed how Dr. Lasesne and Dr. Perry explained each of the criteria using books and explaining how to use the books to be able to find the criteria for the different parts.  I also learned why visuals are important to include in books. I think that for struggling readers, the visuals will be a great way to chunk the reading.

Chapter 13:  Fantasy and Science Fiction
Summary:
The chapter is about categories that are found within the science fiction subgenre.  The first categories that were discussed were apocalyptic and post-apocalyptic. The chapter was very instrumental in detailing the different characteristics that make up these categories.  For example, Dr. Perry mentions that apocalyptic relates to stories of catastrophic disasters where we read about the challenges the characters face as they try to survive, where as post apocalyptic occurs years after the catastrophic event occurs.  Other categories in this chapter include steampunk, cyberpunk and biopunk. It explains that steampunk has to do with steam power and that cyberpunk has to do with computer hacking and biopunk has to do with manipulating human DNA. Dystopian is another category.  The characteristics of a dystopian novel includes propaganda to control citizens and the resistance to the government. Extrasensory perceptions has to do with telepathy or clairvoyance, which includes examples. In addition, this chapter provides us with not only information and descriptions of robots, androids, cyborgs, AI, space or aliens but is a great way to introduce this subgenre through examples using books.

Reflection:
The chapter was instrumental in identifying key differences in the subgenres of science fiction.  Prior to this chapter I felt a little confused and actually thinking that apocalyptic and dystopian were the same.  Dr. Perry does an excellent job in providing valuable information using books so that I could fully understand the differences.  For example the criteria for apocalyptic vs. post-apocalyptic is that apocalyptic is a story of a person/s finding a way to survive a catastrophic event and post-apocalyptic story is about one coping with events after an apocalypse.  These books take the reader along as they encounter obstacles in their journey. Post-apocalyptic is time long after the catastrophic event takes place. I love the explanations and the details provided in the video that help with understanding of the concepts.  

Chapter 14:  Graphic Novels
Summary:
The chapter was very informative in many ways.  Dr. Perry does an excellent job of giving us basic information on graphic novels.  She describes the different components of the graphic novels and even provides an illustration of the elements that make up a page in a graphic novel.  The chapter also teaches us how to read graphic novels and although not in the slides, Dr. Perry added that Manga is read differently that graphic novels.  She stated that Manga is read from top to bottom from from right to left and from back to front. The chapter also is a guide on how to use graphic novels can be used to satisfy the common core standards.  Graphic novels can be read by all readers of all ages. You can find both fiction and non-fiction. Adaptations are a great way to have a reader understand the gist of the stories that were written. These books are multicultural and diverse.  In all graphic novels is a great way to motivate students to learn the standards, while making reading fun and interesting.

Reflection:
I love graphic novels.  I am glad to see that there is a connection between learning literature and satisfying the common core standards using graphic novels.  I love how graphic novels motivates students to read and how the books and illustrations help the readers understand the plot. I also love how adaptations retain the gist of what the original story was while making reading fun and interesting.

Chapter 15:  Peck’s Questions
Summary:
This chapter is about question to ask regarding novels.  Literally, the chapter provides with lists of questions to ask readers and the reasoning behind why each question is important and what the questions incite.  For example, some of the questions are as follows.

  1. What would the story be like if the main character were of the opposite sex?  The reasoning behind asking the question is that it helps diffuse sexual polarization and stereotyping.
  2. Why is the story set where it is?  The reasoning behind this question is that it points out the author’s device.
  3. If you were to file the story, would you use black and white or color and WHY? This will have the reader thinking about tone.
  4. If you could not use all of the characters, which would you eliminate and WHY?  This helps students understand characters which add texture vs. simplification for media translation.

Although there are a total of ten questions, I chose to use only for to explain the thought process.  These examples were taken directly by the Ten Questions to Ask About a Novel by Richard Peck (1978), which is found in the chapter.  

Reflection:
This chapter is a great way to to illustrate the impact of purposeful questioning.   A librarian can share this list with ELA teachers to help them with good question stems in the classroom.  These questions in the classroom will not only incite critical thinking, but can open up opportunities for classroom discussions.

Chapter 16: Crowdsourced List of Middle School Authors
Summary:
This chapter provides a list of Authors’ names that have written books for middle school aged groups.  Some of those authors include.


David Adler
Katie Alendar
Kwame Alexander
Lloyd Alexander
London Alexander
Sherman Alexie
Benjamin Ali
Elise Allen
David Almond
Amy Ignatow
Laurie H. Anderson
Jeff Anderson
Laurie Halse Anderson
Nora Baskin
Kylene Beers
Robert Beatty
Diana Gonzalez Bertrand
Ray Bradbury
Leslie Connor
Sharon Creech
Gary Paulsen
Shelly Pearsall


The list in the chapter is extensive with entries in excess of five hundred.  Some authors were listed multiple times.

Reflection:
This is a great tool when looking for books in the middle school.  This list can assist librarians in finding authors and books for their collection.  The list is easy to use as it is in alphabetical order.

Chapter 17:  We Need Diverse Books
Summary:
The chapter is a link to the We Need Diverse Books (WNDB) web page.  The site is a non-profit and grassroots organization that aims to promote diversity of books in libraries.  The mission statement for the page is “Putting more books featuring diverse characters into hands of all children”.  WNDB understands that children need to have literature where they can see themselves. The site provides a list of diverse books with brief descriptions of the books.  In addition as WNDB promotes diversity, it also has reveal parties for books. It has Q & A with authors and the website even has a book talking kit that is a “starting point for discovering”.

Reflection:
We Need Diverse Books is a great tool for all librarians.  We need diversity in schools and this website provides us with a list of diverse books with small summaries of the books.  The site also provides writers with grant and internship opportunities as well as volunteer opportunities. This site is one I will absolutely share with my librarian.

Friday, February 15, 2019

Textbook Reflections Chapters 6-10


Chapter 6:  How do adolescents develop?:
Summary:
We need to keep in mind all aspects of the readers that will service when considering the book collection in our libraries.  We need to consider the physical development of the reader.  Students develop physically at different times in their lives.  It is important that we have literature in our libraries that address their development.  In addition to physical development, students develop intellectual as well.  We need to consider the age group of our readers.  Not all readers are able to relate to ideas that they have not experienced or they cannot draw from written work that is not explicit.  Some readers will need concrete written work or they might need scaffolding in order for them to follow the plot.  Our readers also develop morals and values.  This is where the reader begins to question what they believe and find their identity.  There are three levels of morality.  First is the pre-conventional level of morality.  This is where the kid is younger and behavior is based on reward or punishment.  The second is the conventional, where we follow the rules.  The third is the post-conventional.  This is where the person follows the rules, but will at times break the rules for the sake of doing what is right.  Students also develop their sex roles.  Initially, as they begin to understand society’s norms, they start behaving and interacting as expected to avoid name-calling or being bullied.  However, change does occur over time, so we need to be cognizant of their development stages and provide them with literature to address those issues.  The development in adolescents needs to be considered when adding literature to the library.  We need to find books that are diverse and address the development of adolescents at all stages.  We need to provide the students the opportunities to develop as readers and provide them with books that will address their needs.

Reflection:
Librarians need to take into account the developing adolescent and provide them with the opportunity to read vicariously or autobiographically so that they are able to cope with what is happening to them and around them.  We need to ensure that students find the information they seek so that they can develop and understand for the change that occurs within and around them.  In addition, although we are fully aware that students develop physically, we should also be aware that they develop intellectually and emotionally at different stages in their lives.  Again, we need to provide them with the opportunities to learn by providing opportunities to build on abstract concepts.  In all, librarians should aid in the development of the adolescents by including a library that is diverse and meets the needs and desires of our students. 

Chapter 7:  Literary Elements:
Antagonist:  Is a person in a story, movie or play that is the rival or opponent of the main character.  The antagonist plays a role in conflict with the protagonist.  

Character:  Is a person or thing that has a role in literature.  For example, in the movie Cast Away, Wilson is a character.

Conflict: Is the struggle, disagreement or challenge that is found within a story.  

Mood:  a description of words or phrases that brings about feelings in literary work.

Tone:  Is the attitude that a writer projects with written words.

Protagonist:  Is the main character in a story.

Setting:  The setting is the time and the place where a story takes place.

Theme:  Is the idea that is present throughout a story.

Allegory:  is the idea that uses concrete to explain a meaning.

Allusion:  Is a figure of speech to represent meaning of certain scenario.

Archetype:  Is the initial thought of someone when they make it to play.  It is the original idea or theme that recurs over and over in literature.

Deus ex Machina:  Refers to a situation or a character that was brought into the story to cause conflict so that there is a resolution or a “happy ending”.

Hyperbole:  Is a phrase that over exaggerates a statement to create drama or to emphasize the statement, making the situation appear grander than what it should be.  

Imagery:  is a phrase or statement that allows the reader to create an image.

Metaphor:  The use of a phrase or statement as a way to refer to something else.

Motif:   Motif is the repeating theme or idea in a story or literary work.

Point of View:  Is how the reader perceives literature or it is the manner in which an author tells a story.

Chapter 8:  Awards:
Writers have the opportunity to win awards.  Awards are awarded based on different criteria.  It is important to know the different awards that are awarded so that we can convey that information to our readers.  The following are twenty awards with a brief description and current winners.

The Printz Award is an award for young adult literature that demonstrates literary excellence.
2019 Printz Award Winner: 
·         The Poet X, written by Elizabeth Acevedo

YALSA Award for Excellence in Nonfiction is an award for a non-fiction young adult literature for readers ages 12-18.
2019 Nonfiction Award: 
·         The Unwanted:  Stories of the Syrian Refugees, written and illustrated by Don Brown.

Great Graphic Novels is a list compiled by the YALSA of Great Graphic Novels for readers ages 12-18.  In addition, there is a top ten list Great Graphic Novels for Teens.  Both lists are updated annually.

Best Fiction for Young Adults is a list of fiction books that have been published for readers between the ages of 12 to 18.  This is a great source for librarians to find books for young adults.

Margaret A. Edwards Award is an award to a writer that has made a significant contribution to bring about awareness to adolescents through young adult literature.  The award recognizes the author as well as a body of said author’s work.
2019 winner:
·         M.T. Anderson for “Feed”, “The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume I: The Pox Party,” and “The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume II:  The Kingdom of the Waves”

Alex Award is an award for ten books annually that appeal to young adults ages 12 through 18.
2019 Winners:
·         The Black God’s Drums, written by P. Djeli Clark
·         The Book of Essie, written by Meghan MacLean Weir
·         Circe, written by Madeline Miller
·         Educated:  A Memoir, written by Tara Westover
·         The Girl Who smiled Beads:  A Story of War and What Comes After, written by Clemantine Wamariya and Elizabeth Weil
·         Green, written by Sam Graham-Felsen
·         Home After Dark, written by David Small
·         How Long ‘Til Black Future Month?, written by N.K. Jemisin
·         Lawn Boy, written by Jonathan Evision
·         Spinning Silver, witten by Naomi Novik


Odyssey Award is an award for a producer of an audio book for children and/or young adults that is available in the United States and is in English.
2019 Winner:
·         Sadie, produced by Macmillan Audio and written by Courtney Summers
2019 Honor Recordings:
·         Du lz Tak produced by Weston Woods Studios, a division of Scholastic and written by Carson Ellis.
·         Esquivel! Space-Age Sound Artist produced by Live Oak Media and written by Susan Wood
·         The Parker Inheritance produced by Scholastic Audiobooks and written by Varian Johnson
·         The Poet X produced by Harper Audio, an imprint of Harper Collins and written by Elizabeth Acevedo

Morris Award is an award named after William C. Morris who was an advocate for marketing books for children and is awarded annually to a first-time author writing for teens.
2019 Winner:
·         Darius the Great Is Not Okay, written by Adib Khorram

Outstanding Books for the College Bound is a list of books on subjects within a discipline.  It is intended to offer opportunities and provide readers with new and diverse ideas to build on a foundation.  The list is updated every five years.

Popular Paperbacks for Young Adults is a list of books that promote reading for pleasure.  The list includes popular titles with a wide variety of themes and genres.

Quick Picks for Reluctant Young Adult Readers is a list of books of both fiction and non-fiction with titles aimed to draw reluctant teem readers. 

YALSA’s Readers’ Choice Booklist is a list of popular titles to encourage a wide audience.

YALSA’s Teens’ Top Ten is a list of the top ten books nominated and selected by teens. 

Amazing Audiobooks is a list of notable audiobooks that are selected and maintained by the YALSA’s blogging team.

Young Adults’ Choices Reading List is a list that is created annually by readers to encourage adolescents to read.  The books are popular with middle and secondary school and is trusted by parents.

Lone Star Reading List is a list of books created by librarians for readers in middle school.

TAYSHAS Reading list is a list of fiction and non-fiction books intended to motivate readers at the high school level into becoming life-long readers and to encourage participation in community as readers. 

Maverick Reading List is of graphic novels develop by public and school librarians.  The list is intended for readers in the secondary level.

Edgar Awards for Mystery is an award named after Edgar Allen Poe.  The award is for best fiction or non-fiction mystery.  There are several categories, which include Best Novel, Best First Novel, Best Paperback Original, Best Fact Crime, Best Critical/Biographical, Best Short Story, Best Juvenile, Young Adult, TV Episode Teleplay, Robert L. Fish Memorial, Mary Higgins Clark, Grand Master, Raven Award and Ellery Queen Award.

NCTE Award for Excellence in Poetry for Children is awarded a living American Poet for his/her work contribution over time to children ages 3 to 13.
2019 Award Recipient:
·         Paul B. Janeczko

Orbis Pictus Award is awarded to an author writing non-fiction books specifically for children.
2019 Winner:
·         Between the Lines:  How Ernie Barnes Went from the Football Field to the Art Gallery, written by Sandra Neil Wallace and Illustrated by Bryan Collier


Mildred L. Batchelder Award is awarded to a publishing company in the United States that publishes children’s books that originated in a different country and in a Non-English language then translated to English.
2019 Winner:
·         The Fox on the Swing, published by Thames & Hudson, Inc., written by Evelina Daciute and illustrated by Ausra Kiudulaite and translated by Translation Bureau

The Scott O’Dell Award is awarded to an author who in the previous year published a historical fiction book.  The award encourages writers to write historical fiction books.
2019 Award Winner:
·         Finding Langston, written by Lesa Cline-Ransome

The Pura Belpre Award is awarded to a Latin American Citizen or to a Puerto Rican author and illustrator.  The book needs to celebrate the Latino Culture or experience.
2019 Author Award Winner:
·         The Poet X, written by Elizabeth Acevedo
2019 Illustrator Award Winner:
·         Dreamers, illustrated by Yuyi Morales and written by Yuyi Morales
2019 Author Honor Book
·         They Call Me Guero:  A Border Kid’s Poems, written by David Bowles
2019 Illustrator Honor Book:
·         Islandborn, illustrated by Leo Espinosa
·         When Angels Sing:  The Story of Rock Legend Carlos Santana, illustrated by Jose Ramirez and written by Michael Mahin

Schneider Family Book Award is awarded to an author or an illustrator for books with artistic expression of the disability experience for a child and adolescent audience.
2019 Teen Book Winner
·         Anger is a Gift written by Mark Ashiro
2019 Teen Honors
·         (DON’T) CALL ME CRAZY: 33 VOICES START THE CONVERSATION ABOUT MENTAL HEALTH, edited by Kelly Jensen
2019 Middle School Book Winner
·         The Truth as told by Mason Buttle, written by Leslie Connor
2019 Middle School Honor
·         THE COLLECTORS, written by Jacqueline West
2019 Young Children’s Book Winner
·         Rescue & Jessica:  A Life-Changing Friendship, written by Jessica Kensky and Patrick Downes
2019 Young Children’s Honor
·         THE REMEMBER BALLONS, written by Jessie Oliveros, illustrated by Dana Wulfekotte

Sibert Award is award to the author and illustrator of the best informational book published in the United States and in English.
2019 Medal Winner:
·         The Girl Who Drew Butterflies:  How Maria Merian’s Art Changed Science, written by Joyce Sidman
2019 Honor Books:
·         Camp Panda:  helping Cubs Return to the Wild, written by Catherine Thimmesh
·         Spooked!:  How a Radio Broadcast and the War of the Worlds Sparked the 1938 Invasion of America, written by Gail Jarrow
·         The Unwanted: Stories of the Syrian Refugees, written and illustrated by Don Brown
·         We Are Grateful:  Otsaliheliga, written by Traci Sorell and illustrated by Frane Lessac
·         When Angels Sing:  The Story of rock Legend Carlos Santana, written by Michael Mahin and illustrated by Jose Ramirez.

Stonewall Book Awards is awarded to English books that address LGBT issues.
Israel Fishman Non-Fiction Award:
2019 Winners:
·         Go the Way Your Blood Beats:  On Truth, Bisexuality and Desire, written by Michael Amherst.
2019 Honors:
·         BLACK. QUEER. SOUTHERN. WOMEN.: AN ORAL HISTORY, written by E. Patrick Johnson
·         RAISING ROSIE: OUR STORY OF PARENTING AN INTERSEX CHILD, written by Eric and Stephani Lohman
·         TINDERBOX: THE UNTOLD STORY OF THE UP STAIRS LOUNGE FIRE AND THE RISE OF GAY LIBERATION, written by Robert W. Fieseler
·         THE WORLD ONLY SPINS FOERWARD:  THE ASCENT OF ANGELS IN AMERICA, written by Isaac Butler
Barbara Gittins Literature Award:
2019 Winners
·         The Great Believers, by Rebecca Makkai
2019 Honors
·         FORWARD, written by Lisa Maas
·         LUISA:  NOW AND THEN, written by Carol Maurel
·         SPEAK NO EVIL, written by Uzodinma Iweala
·         WHITE HOUSES, written by Amy Bloom


Chapter 9:  Poetry:
Summary:
Poetry is has been a neglected format of literature.  It seems that students have been given poetry and their task has been to pull it apart to figure out meaning behind poems.  Poetry should be read for enjoyment.  There are so many different types of poems that students can read from for enjoyment.  A research with elementary students was conducted.  Students were asked to evaluate different kinds of poems.  There were some conclusions that we can draw from the study.  First is that after evaluation of the different poems, kids prefer narrative poetry. Another conclusion was that kids dislike to read free verse and haiku poems.  Kids also like poems that rhyme and have sound devices.  Kids prefer poems that are popular or that they can associate with.  Kids want to be able to share their experience with others.  Kids like poems that they can use the words to expand on their visual imagination.  Kids love animals and as such, they love poems that involve animals.  Kids like poems that have an interactive component.  These poems lend themselves for repeated reading.  Teachers can pull out the same poem and have the students practice their part.  The chapter stresses enjoyment, in that we need to find poems that students enjoy.  Students enjoy poems that they can associate with, such as poems that describe how they feel about school.  The chapter also describes the different characteristics of different poems.  It provides us with criteria for selecting poetry that children will enjoy.

Reflection:
I had never considered the different types of poetry.  The chapter was insightful in detailing what draws students to poetry.  It provided me with information that I am able to employ in the classroom to get students enjoying poetry.  Having students participate and making poetry relevant to what they experience is important for their enjoyment.  I also learned the criteria for evaluating poetry, which I will hopefully be able to apply effectively. 


Chapter 10:  Historical Fiction:
Summary:  
The chapter is an explanation of historical fiction.  Historical fiction is dependent on the reader.  According to the chapter, history can be events that occured this morning, so it cautions us to be cognizant of the reader so that we are able to categorize the text correctly.  It also goes into the criteria for evaluating historical fiction.  The criteria is very useful as it asks us to keep in mind the period in which the story is being told.  It tells us to consider the music of the time and the clothes of the time as well as the speech patterns.  It also asks us to check for accuracy of the time and tells us to check with the Council on Books for Children.

Reflection:
I loved the simplistic explanation of historical fiction.  I learned of the criteria to look for when evaluating historical fiction.  It was clear and concise when informing us of the different characteristics that make up historical fiction.  It also provided us with sources where we are able to verify history accuracy and authenticity.  I also feel that the caution is important when categorizing historical fiction.

















Book Blog 1-8

It’s Perfectly Normal by Robbie H. Harris and Illustrated by Michael Emberley Harris, R. H., & Emberley, M. (2014).  Its perfectly...